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AFI FEST 2017 PRESENTED BY AUDI CENTERPIECES GALAS AND TRIBUTE ANNOUNCED

 AFI FEST 2017 PRESENTED BY AUDI
CENTERPIECES GALAS AND TRIBUTE
ANNOUNCED

CALL ME BY YOUR NAME, THE DISASTER ARTIST and HOSTILES
to Be Celebrated as Centerpiece Galas

Legendary Filmmaker Errol Morris to Be Honored
With Tribute and Screening of WORMWOOD

Patron Packages on Sale Now Ensure Reserved Seating at Galas and Tribute

FOR IMMEDIATE RELEASE — LOS ANGELES, CA, October 20, 2017 — The American Film Institute (AFI) announced today the three Centerpiece Galas and Tribute that will take place at AFI FEST 2017 presented by Audi.  The Centerpiece Galas are: CALL ME BY YOUR NAME (DIR Luca Guadagnino) on Friday, November 10; THE DISASTER ARTIST (DIR James Franco) on Sunday, November 12; and HOSTILES (DIR Scott Cooper) on Tuesday, November 14. On Saturday, November 11, Academy Award®-winning documentary filmmaker Errol Morris will be honored with a Tribute following a screening of WORMWOOD.   All Gala screenings will take place at the TCL Chinese Theatre and the Errol Morris Tribute will take place at the Egyptian Theatre.

Errol Morris' revered credits include the Oscar®-winning THE FOG OF WAR (2003), as well as GATES OF HEAVEN (1978), THE THIN BLUE LINE (1988), A BRIEF HISTORY OF TIME (1991), TABLOID (2010) and THE UNKNOWN KNOWN (2013). Morris serves on the AFI DOCS Film Festival Advisory Board and, in 2013, was the AFI DOCS Charles Guggenheim Symposium honoree.

To attend, guests can purchase AFI FEST Patron Packages — which include access to Galas and other high-demand films and events.

CENTERPIECE GALAS

CALL ME BY YOUR NAME — The new film from Sony Pictures Classics by Luca Guadagnino is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old American-Italian boy, spends his days in his family's 17th-century villa, transcribing and playing classical music, reading and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

THE DISASTER ARTIST — Director James Franco reimagines the tragicomic true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — as a celebration of friendship, artistic expression and dreams pursued against insurmountable odds. Based on Greg Sestero's bestselling tell-all about the making of Wiseau's cult-classic disaster piece THE ROOM ("The Greatest Bad Movie Ever Made"), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend — and no limit to what you can achieve when you have absolutely no idea what you're doing. Franco directs, produces and stars in the film, delivering a transformative performance as Wiseau in this A24 release.

HOSTILES — Set in 1892 at the cusp of the Industrial Revolution, the buffalo gone, America's indigenous population vanquished and the frontier rapidly disappearing into settlements and cities, two bitter adversaries of the Indian Wars are forced into a final, unexpected encounter. Cavalry Captain Joseph Blocker (Christian Bale), a former war hero turned jailer, and Yellow Hawk (Wes Studi), a Northern Cheyenne war chief turned prisoner, are forced to partake in a hollow publicity stunt to bolster the personal and political fortunes of Blocker's commanding officer. Stuck in Fort Berringer, a miserable New Mexican prison outpost, Yellow Hawk is to be released to Blocker and returned to the Cheyenne homeland in Montana. It's a particularly cynical gambit, as Yellow Hawk is dying and upon his death, his family will be imprisoned on a reservation. A belligerent Blocker believes the Chief should die in prison and is threatened with court martial when he refuses to accompany his enemy home. The plan is set in motion and Blocker, his men, Yellow Hawk and his family become complicated traveling companions. Not long after their departure, the group happens upon Rosalee Quaid (Rosamund Pike), a traumatized survivor of a Comanche massacre, and she reluctantly joins. Blocker, Yellow Hawk and Quaid turn into the unlikely heart of HOSTILES. They are tenacious fighters who have been shaped by suffering, violence and loss. Compelled to work together to endure and survive a 1,000-mile journey of Odyssey-like proportions, they're forced to confront their preconceived notions of one another, and realize that the worst of their differences were created by forces beyond their control. Their transformation from a place of antagonism and fear to one of compassion and tolerance is a testament to the resilience of the human spirit and our capacity for change. HOSTILES features cinematography by AFI Conservatory alumnus Masanobu Takayanagi (Class of 2002).

TRIBUTE SCREENING

WORMWOOD — Directed by boundary-breaking filmmaker Errol Morris, WORMWOOD explores the limits of knowledge about the past and the lengths we'll go in our search for the truth in a twisting, evolving story of one man's 60-year quest to identify the circumstances of his father's mysterious death. Combining a virtuosic performance by Peter Sarsgaard with Morris' legendary interview style, WORMWOOD examines this case from every possible angle, bringing the viewer face to face with some of the United States' darkest secrets. A Netflix Original Story told in six chapters.

As Previously Announced

AFI FEST takes place November 9–16, 2017, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre, Dolby Cinema at the Vine, the Mark Goodson Screening Room at the American Film Institute and The Hollywood Roosevelt. The full festival lineup and schedule will be unveiled on Friday, October 27. Free tickets will be available on AFI.com/AFIFEST on Wednesday, November 1.

The Opening Night Gala will be MUDBOUND (DIR Dee Rees) on Thursday, November 9.  The Closing Night Gala will be the World Premiere of ALL THE MONEY IN THE WORLD with a Tribute to director Ridley Scott on Thursday, November 16.

Additionally, the New Auteurs and American Independent sections have been announced and more information about these sections can be found here.

This year, AFI FEST will present a retrospective of the work of Robert Altman (1925–2006), with screenings and discussions of 12 films: M*A*S*H (1970), MCCABE & MRS. MILLER (1971), THE LONG GOODBYE (1973), CALIFORNIA SPLIT (1974), NASHVILLE (1975), 3 WOMEN (1977), VINCENT & THEO (1990), THE PLAYER (1992), SHORT CUTS (1993), KANSAS CITY (1996), GOSFORD PARK (2001) and A PRAIRIE HOME COMPANION (2006).  

New educational experiences taking place as part of the festival this year include an AFI FEST Storytelling Bootcamp for Los Angeles Unified School District students.

AFI FEST will once again bring the best in global cinema to Los Angeles thanks to the visionary support of Audi — now in its 14th consecutive year as presenting sponsor of the festival. An enduring champion of the motion picture arts, Audi nurtures new and established voices through its support of AFI FEST and beyond, including the Audi Fellowship for Women at the AFI Conservatory, a new full-tuition scholarship investing in the future of female directors in film and television.

Patron packages ensure reserved seats for Galas, and all proceeds benefit the educational programs of the American Film Institute. A limited number of individual tickets to Galas and other screenings are also made available at no charge thanks to the event sponsors. Go to AFI.com now to purchase Patron Packages, which can include access to Galas and other high-demand films and events.

As part of their membership benefits, AFI members will receive a complimentary AFI FEST Cinepass, which allows access to all regular screenings and special offers at this year's festival. Additionally, AFI members at the Two-Star level and above receive a 10% discount on all AFI FEST Patron Packages and Express Passes. Information about AFI membership is available at AFI.com/membership.

Audi is the exclusive presenting sponsor of AFI FEST 2017. Additional sponsors include AT&T; American Airlines, the official airline of AFI; and VIZIO, the official home theater sponsor of AFI.

About the American Film Institute
Celebrating its golden milestone, the American Film Institute began its mission on June 5, 1967 — to preserve the heritage of the motion picture, to honor the artists and their work and to educate the next generation of storytellers. Established by Lyndon B. Johnson's presidential mandate in the White House Rose Garden, AFI is America's promise to educate today's audiences and tomorrow's artists. The Institute was anchored by a foundation of luminaries from the film community including Gregory Peck as Chair, Sidney Poitier as Vice Chair, George Stevens, Jr., as Director and CEO with board members Francis Ford Coppola, Arthur Schlesinger, Jr., and Jack Valenti.

In 1969, AFI opened the Center for Advanced Film Studies, now called the AFI Conservatory, an elite MFA program whose inaugural class included Terrence Malick, Caleb Deschanel and Paul Schrader. The program's acclaimed film and television alumni include

Andrea Arnold, Darren Aronofsky, Julie Dash, Patty Jenkins, Janusz Kamiński, David Lynch and Robert Richardson, among others.

In addition to the AFI Conservatory, AFI programs include the AFI Catalog of Feature Films and the AFI Archive, which preserve film heritage for future generations; the AFI Life Achievement Award, the highest honor for a career in film; AFI AWARDS, honoring the most outstanding movies and TV series of the year; AFI's 100 Years...100 Movies television events and movie reference lists, which have introduced and reintroduced classic American movies to millions of film lovers; year-round and special event exhibition through AFI FEST presented by Audi, AFI DOCS and the AFI Silver Theatre and Cultural Center. For more information about AFI, visit AFI.com or connect with AFI at twitter.com/AmericanFilm, facebook.com/AmericanFilmInstitute, and youtube.com/AFI.

About AFI FEST presented by Audi
A program of the American Film Institute, AFI FEST presented by Audi is a celebration of global cinema and today's Hollywood — a showcase for the best festival films of the year and an opportunity for master filmmakers and emerging artists to come together with audiences in the movie capital of the world. Celebrating its 31st edition, AFI FEST is the only festival of its stature that is free to the public. The Academy of Motion Picture Arts and Sciences recognizes AFI FEST as a qualifying festival for both Short Film categories for the annual Academy Awards®. This year's edition takes place November 9–16, 2017. Additional information about AFI FEST is available at AFI.com/AFIFEST. Connect with AFI FEST at facebook.com/AFIFEST, twitter.com/AFIFEST and youtube.com/AFI.

About Audi
Audi of America, Inc. and its U.S. dealers offer a full line of German-engineered luxury vehicles. The Audi Group is among the most successful luxury automotive brands globally. In 2016, AUDI AG delivered about 1.871 million Audi automobiles and broke all-time company sales records for the seventh straight year in the U.S. Visit www.audiusa.com or media.audiusa.com for more information regarding Audi vehicles and business topics.

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CONTACTS: 
Shari Mesulam, American Film Institute, 323.856.7672 or [email protected]

Liza Ameen, American Film Institute, 323.856.7885 or [email protected]